15 January, 2019
The New Art Studio is taking up residence in the art studio in our Room to Breathe exhibition from 17 January until 24 February 2019.
The New Art Studio is a London-based therapeutic art studio for asylum seekers and refugees, providing a safe space for some of the most dispossessed members of our society.
The studio not only offers a place of solace, friendship and camaraderie, it is a place where all emotion is accepted and held through the power of collective art making. The studio works to give relief from the effects of profound trauma. Making art can be a profound way of connecting with one’s experiences, and making visible what can be difficult to put into words.
During its residency, the studio will be exhibiting artworks produced by its members, which will form a part of our Room to Breathe exhibition. Tania Kaczynski and Jon Martyn, art psychotherapists and founders of the New Art Studio, will also be running a series of weekly drop-in public workshops on Saturday afternoons, providing you with the opportunity to develop your understanding of the experiences of refugees and asylum seekers through art making and discussion.
Participation in the workshops is free, although donations are welcomed. No registration is required – just turn up on the day. Click here for more information on the workshops
Residency details:
Dates: 17 January–24 February 2019
Address: Migration Museum at The Workshop, 26 Lambeth High Street, London SE1 7AG
Opening hours: Thursday 12pm–8pm, Friday–Sunday 12pm–6pm
Workshop timetable:
Saturday 19 January 2019, 2pm–5pm
Saturday 26 January 2019, 2pm–5pm
Saturday 2 February 2019, 2pm–5pm
Saturday 9 February 2019, 2pm–5pm
Saturday 16 February 2019, 2pm–5pm
Saturday 23 February 2019, 2pm–5pm
The New Art Studio is our latest artist in residence as part of our Room to Breathe exhibition.
Find out more about New Art Studio (links to external website)
About the art studio in Room to Breathe
The art studio inside our Room to Breathe exhibition is a space curated by visual art and educator Dima Karout to explore the role of art and creativity in helping people settle into new lives in Britain, and to offer educational art experiences for visitors. Each month, the studio will host a different migrant artist to share their work and process.
View the full schedule of artists in residence and find out more about Room to Breathe
13 January, 2019
Habib Sadat was the second artist to take up residence in the art studio of our Room to Breathe exhibition, from 6 December 2018 until 13 January 2019.
As well as working from and exhibiting a selection of his works in the art studio, Habib also led an Afghan cooking class, one of a series of cookery classes run by Migrateful that we are hosting held in the kitchen area of Room to Breathe.
Here’s the text from the welcome panel that Habib wrote for visitors to his art studio, exploring what art means to him and the role that art plays in his life:
Ever since I was a child in Afghanistan, I have wanted to paint and make things. As I grew older, everyone told me ‘Don’t do that; you’re not a child anymore.’
When I arrived in the UK on 1 June 2016, I was sent to a detention centre. I was always thinking about what was going to happen to me and how long I was going to be there. It was a challenge for my mental health. At times I felt hopeless, and I decided to do something to fill my time in a positive way. I found out there was an art room and, the moment I saw it, I felt better. I started to make things – rugs from old fabrics, clay temples and paintings. I’d spend all day there. It took my mind off everything that was happening with the Home Office.
Once I left the detention centre, I connected with friends that I had met in the Calais camp and on my journey. I got involved in art projects and I joined a group of refugees performing a play called Borderline about the Calais refugee camp. With old friends and new friends, I felt I was part of a family. It got better and better.
There have been difficulties and darkness in my life. I’ve lost everything. But something has always happened that has given me the power to step forward and keep going. As long as I can keep active, make art and do what I can to help other people, I can keep going.
About the art studio in Room to Breathe
The art studio inside our Room to Breathe exhibition is a space curated by visual art and educator Dima Karout to explore the role of art and creativity in helping people settle into new lives in Britain, and to offer educational art experiences for visitors. Each month, the studio will host a different migrant artist to share their work and process.
View the full schedule of artists in residence and find out more about Room to Breathe
10 January, 2019
Much is made of Britain’s reputation for providing refuge for people seeking political asylum but many consider such self-congratulation undeserved, pointing instead to Britain’s relative resistance to taking in Jewish refugees before and during the Second World War, to the small number of Vietnamese boatpeople taken in in the 1970s (in comparison with those taken in by the United States and France) and, more recently, to a governmental reluctance to accept refugees from the Syrian civil war. And yet the historical record of political dissidents being given sanctuary in Britain is clear, and this seems particularly to have been the case in the 19th century, when arguably the most famous political dissident, Karl Marx, made London his home for the last 34 years of his life.
In this guest blog, Dr Thomas C. Jones, lecturer in history at the University of Buckingham and producer of the audio walking tour ‘Marx’s London’ (available as a History Workshop podcast), outlines Marx’s passage from poverty-stricken Soho to the then suburban Kentish Town.
Refuge from a reactionary continent . . .
A depiction of jubilant crowds in Berlin at the beginning of Germany’s revolution in March 1848
In the aftermath of the failed European revolutions of 1848, thousands of political exiles sought refuge in Britain. Almost alone in Europe, Britain had no significant immigration restrictions and its maintenance of a free press and rights to free speech and assembly made it particularly attractive to the disappointed revolutionaries streaming out of Europe as reaction spread across the continent. By 1852, some 7,000 radical, nationalist, republican, and socialist refugees from France, Hungary, Poland, the German and Italian states, and elsewhere had arrived, clustering above all in London. In their midst were famous individuals like the Italian nationalist Giuseppe Mazzini, the French socialist Louis Blanc, and the leading light of the Hungarian independence movement Lajos Kossuth. They were joined by many much more obscure exiles, including a thirty-one-year-old philosopher and journalist from the Rhineland region of Prussia in western Germany, Karl Marx. Marx, who had successively been expelled from Prussia, France, and Belgium, was at this time a rising star in the small European socialist movement, having written for several radical publications throughout the 1840s, co-authored The Communist Manifesto with his friend and collaborator Friedrich Engels in early 1848. Like many other exiles, Marx expected revolution to break out again soon and for his stay in London to be temporary. In fact, he would remain for the rest of his life.
1 Leicester Street, London, the former site of the German Hotel.
20 Great Windmill Street, the former site the Red Lion pub.
Marx arrived in London in August 1849 and was soon joined by his wife and childhood sweetheart Jenny von Westphalen and their children Jenny, Laura, and Edgar. The family first stayed in the German Hotel near Leicester Square, a popular destination for Germans in London. Their first flat, in Chelsea, proved far too expensive and they were quickly evicted for failing to make rent. On the suggestion of Heinrich Bauer, another German refugee, they moved to Dean Street in Soho, first to a modest two-room flat at number 64 in May 1850 and then in December to number 28, into a flat they managed to expand to three rooms after about a year.
This put the Marxes at the heart of refugee London. A cheap district with a long history of immigration, Soho was a natural gathering place for exiles after 1848, and many English commentators marvelled at the growing multinational population to be found in the neighbourhood’s tangled streets. One article in Charles Dickens’s newspaper Household Words from 1853 remarked on simultaneously encountering ‘ex-representatives of the people’ from France, German ‘scientific conspirators’, ‘swarthy Italians’, Hungarians with ‘glossy beards and small embroidered caps’, and Poles ‘who have been so long fugitives from their country’. Foreign-language newspapers and bookshops soon sprang up to service this population, as did numerous shops, restaurants, taverns and other meeting places owned and frequented by the refugees.
For the roughly 1,000 German refugees in London in the early 1850s, a key social and political centre was the Red Lion pub at 20 Great Windmill Street. This housed the London branch of the Communist League, a small but international organisation for which Marx and Engels had written The Communist Manifesto. It was also home to the German Workers’ Educational Society, which was founded in 1840 and lasted into the twentieth century. Marx was active in both organisations, arguing politics with his fellow refugees in the former and teaching classes on economics and running a relief committee for poor exiles in the latter. A short walk from Dean Street, the Red Lion was also a welcome social outlet where Marx drank, smoked, dined, and played chess with his countrymen. More generally, the Marxes enjoyed an active social life in Soho, often hosting gatherings of exiled or visiting Germans, frequenting the district’s pubs and restaurants, and taking weekly walks on Sundays to picnic on Hampstead Heath.
The site of Marx’s home at 28 Dean Street.
The ‘blue plaque’ was put up by the Greater London Council to commemorate his residence.
The cartoon ‘A Court for King Cholera’ from “Punch” in 1852, depicting squalor in urban districts like Soho.
Yet for all its liveliness, Soho was a dangerously unhealthy place. Impoverished and overcrowded, with an average of fourteen people per house, it was notoriously disease-ridden. In 1854 it was hit by an outbreak of cholera, the source of which was famously identified at the Broad Street water pump by the physician John Snow, proving that the disease was water-borne. Though they escaped the cholera, the Marxes shared the area’s poverty and ill-health. Short of regular work and notoriously poor at money management, Marx constantly begged and borrowed from his friends, especially Engels, in order to fend off the ‘baker, milkman, the man with the tea, greengrocer, old butcher’s bills’ and other expenses. He repeatedly pawned the family’s possessions, including Jenny’s family silver, and had to spend one weekend in jail after a pawnbroker thought that such precious items could have ended up in a poor refugee’s possession only by theft. With poor diets and their family of six or seven crowded into two or three rooms, Marx and Jenny were often ill, suffering from boils, carbuncles, colds, coughs, haemorrhoids and rheumatism. More tragically, three of their six children died in Dean Street: Guido in 1850 aged less than a year, Franziska in 1852 at age one, and Edgar in 1855 at eight. Adding domestic strife to this misery, Marx had an affair with Jenny’s housekeeper, Helene Demuth, who had followed the family to London. She gave birth to a son, Frederick, in 1851, who was then fostered to working-class parents in the East End and for whom Marx convinced Engels to claim paternity.
A photograph from 1864 of (left to right) Marx and Engels standing and Marx’s daughters Jenny, Eleanor and Laura seated.
The site of Marx’s home on Maitland Park Road, near Kentish Town.
A commemorative plaque set up by Camden Council.
Yet, as the 1850s wore on, the family’s fortunes improved. Marx gained steadier income as a European correspondent for the New York Daily Tribune, the largest newspaper in the world at the time. Between 1852 and 1862 he and Engels, who provided crucial assistance with Marx’s written English, published 487 articles explaining European and global affairs to an American audience, often earning more than £100 a year in the process. In 1856, Jenny received two bequests worth a combined £270. These were substantial sums in that era and allowed the Marxes and their surviving children, Jenny, Laura, and Eleanor, to leave Soho.
In September 1856 they settled in an eight-room house in 9 Grafton Terrace, in Kentish Town. This was a newly urbanised neighbourhood, one of the areas engulfed and developed by the rapid growth of London facilitated by the railways. It therefore had the feel of a building site, and Jenny complained that ‘one had to pick one’s way over heaps of rubbish and in rainy weather the sticky red soil caked to one’s boots so that it was after a tiring struggle and with heavy feet that one reached our house’. Yet these difficulties were outweighed by the benefits of increased space, giving Marx room for a proper study and privacy for the by-now adolescent girls. Indeed, they would remain in the area for the rest of their lives. In March 1864, as Marx inherited a combined £1,500 from his mother and from his friend Wilhelm Wolf, the family moved to a nearby house at 1 Modena Villas. The house’s £65 annual rent and £4 8s property rates (£4.40 in today’s money – but worth a lot more at the time) were substantial and would have given Marx the right to vote even before the widening of the franchise by the Reform Act in 1867, had he been a British citizen.
18 Greek Street, where the International’s General Council met.
Yet Marx remained connected to central London. In 1864, he joined the International Working Men’s Association, a society founded largely by members of Britain’s growing trade unions and designed to foster international working class solidarity and mutual assistance. Marx accepted the International’s invitation to represent Germany and became the most active member of its governing General Council, which met every Tuesday evening, first at 18 Greek Street in Soho and later in Holborn. In this role, Marx had his first sustained contact with the British working class and wrote some of his most memorable works, notably The Civil War in France. A polemical response to the destruction of the Paris Commune by the French government in 1871, it brought Marx notoriety in London as ‘the red terror doctor’, a reputation that helped ensure the rejection of his application for British citizenship several years later. Despite his considerable influence within the International, it was never ideologically homogenous and a clash with the anarchist Mikhail Bakunin caused Marx to intentionally sabotage the organisation in 1872 by engineering the removal of its headquarters to New York where it withered away.
‘The British Museum: the interior of the reading room, in use. Wood engraving by [I.C.] after C. Gregory, 1874’ by Charles Gregory. Credit © Wellcome Collection
More important for Marx’s intellectual development was the British Museum’s Reading Room, the precursor of the British Library. This extraordinary and unique London institution held countless volumes on history, politics, and economics, housed newspapers from across the world, and made publicly available government documents like parliamentary debates, select committee proceedings, and the reports of officials like factory inspectors and medical officers. Free to use and open Monday to Saturday 9am to 7pm, the Reading Room attracted a diverse array of writers and researchers from all social classes, and both men and women worked freely alongside each other. Marx received his first reader’s ticket in June 1850 and came as often as he could for most of the rest of his life. The Reading Room provided crucial empirical information for his New York Daily Tribune articles and for his most important economic work, Das Kapital, which was published in 1867. While living in Soho he could walk to the Reading Room and it often served as a refuge from the strife and disarray of his personal life or as a place to meet friends and collaborators. In later years, he took the bus south from Kentish Town and began to bring his daughters to help with his research. Eleanor, who acquired a reader’s ticket of her own, became an avid user of the collection and met her romantic partner Edward Aveling there. Given the uniqueness of the Reading Room’s collection and its centrality to his research, it is difficult to imagine Marx’s thinking or oeuvre developing in any city other than London.
Marx’s tomb in Highgate Cemetery, where he, Jenny, their daughter Eleanor, grandson Harry Longuet, and Helene Demuth are buried.
In 1875, after their daughters were adults and Laura and the younger Jenny had married and moved out, the Marxes relocated to their final home, a more modest house at 41 Maitland Park Road. After several years of decline, Jenny died, probably of liver cancer, in December 1881 and Marx, long suffering from bronchitis, passed away in his study in March 1883. Both were buried in their local cemetery, Highgate, in a shared grave. In 1954, their remains and those of Eleanor, the younger Jenny’s son Harry, and Helene Demuth were moved to a more prominent place in the cemetery paid for by the Communist Party of Great Britain. That grave is adorned with a monument of Marx sculpted by Lawrence Bradshaw and surrounded by the graves of other radical figures like Eric Hobsbawm, Claudia Jones, and Ralph Miliband. Though German-born and globally famous, a quiet spot in north London seems an appropriate final resting place for Marx, whose life and work were so thoroughly shaped by this city.
Dr Thomas C. Jones is a Lecturer in History at the University of Buckingham and a Leverhulme Research Fellow working on the history of asylum and refugees in Britain. His forthcoming book, Liberty’s Refuge: A History of Political and Religious Asylum in Britain, will be published by Harvard University Press.